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Keys and Armstong did not appear to document their extraction process with field notes, and without Beasley’s paper, the Conservator’s task was akin to attempting a fragile, three-dimensional jigsaw without so much as a box or a picture as a guide. Beasley’s description from 1963 as a guide. Then in 2016 the skilled and dauntless Museums Victoria Conservators, Dani Measday and Sarah Babister, looked upon the vials of bottled lightning and wondered – what if it was rebuilt? They decided to tackle the task of reassembling nature’s most nightmarish jigsaw puzzle using the invaluable, meticulous published work of Dr. Over 220 fragments we stored for posterity in the Mineralogy collections, bearing 5 different registration numbers, the lightning remained bottled, shelved and in hundreds of shards. The shards were collected and stored in tiny vials for another 30 years. The tiniest amount of stress proved too much for the delicate structure, and it shattered into over 200 fragments. While being unmounted and removed from display in 1990, the usually careful staff needed to apply a slight amount of pressure on the structure to remove it cleanly from its mounting board – an adhesive used back in the 1960 had become unstable over time. The Karnak fulgurite mounted for display purposes, circa 1959. Then in 1990, perhaps inevitably, disaster struck. For nearly three decades the Karnak Fulgurite remained on show in the old campus of the Museum. Beasley documented the remarkable item in the “Memoirs of the National Museum of Victoria” in 1963, complete with measurements, images and angles – data that would later prove invaluable. Once fully extracted, numbered, documented and packaged, it was brought back to the Museum, where it was reassembled for display, again by Keys and Armstrong. Moments after the initial discharge, the molten glass tubes contract and cool at varying rates, producing countless tiny, fine cracks on the structure, often resulting in the specimen breaking into segments along the countless lines of weakness.īecause a lot of this was already known about Fulgurites in 1959, The Karnak fulgurite was extracted with the care and precision by Keys and Armstrong. These intricately-branched glass tubes created by electrical discharge are notoriously brittle and thin walled, making a Fulgurite amongst the most difficult items to store and care for, even in a Museum. The Karnak fulgurite was formed by a discharge of lightning penetrating and fusing the quartz sand along its path. With its identity confirmed, Keys and Armstrong were keen to find more of the ‘frozen lightning’, and eventually they discovered a specimen of over 1.5 metres at the same site in Karnak. Beasley, who swiftly determined it to be a Fulgurite. The specimen reached the attention of the then-Curator of Minerals, A. Keys and Armstrong felt they’d made an interesting discovery, and wanted to know more, so it was brought to the Museum for identification. After more close and careful inspection, Messrs. Armstrong, an odd, tiny tube was noticed poking above the surface by Armstrong’s colleague, Mr. In the sandy soils of the property of Mr J. In 1959, Victoria’s longest recorded specimen of a Fulgurite was discovered in sandhills near the tiny settlement of Karnak, west of the Grampians in Western Victoria. It may not be in a bottle, but it is a way of catching lightning. This creates a bolt-shaped structure of glassy, irregularly branching tubes that echo the same serpentine shapes we see crackle across the sky during thunderstorms. When an intense lightning strike occurs under the right conditions on the correct type of surface geology, the moment of discharge is of such intense energy that it partially melts and fuses grains of sand as the charge enters the earth. Far less regularly though, the moment of a lightning strike takes a physical form, where it is frozen perfectly in sandy soil producing a trace structure called a Fulgurite. As it turns out, lightning strikes occur with frightening regularity – estimated to occur as frequently as ten times every second somewhere on Earth. Obviously, Synology has put extra effort into its cloud story, and the price has remained very competitive.Ĭreating a backup in the C2 cloud is just as trivial as for a local or backup to another NAS. Personally, I use C2 backup as one of the destinations in my 3-2-1 scenario, and I can say that since I was a beta member of this service until today I have not had any problems with it. If you are unwilling to put data in remote locations out of your complete control or your outbound Internet speed may not be adequate, you can backup to a local USB drive or to an alternate location on your existing NAS. In this case, there are several variations in which the destination varies, and thus the options offered when performing the backup itself.Īs you can see from the previous image, the backup can be performed according to a relatively new, Synology C2 platform, a local destination (for example on a connected USB drive), or a remote Synology NAS device.Ĭurrently, Synology is leaning strongly towards its C2 platform, which will soon have a third in addition to the existing two global data centers, in Taiwan, the headquarters of Synology Corporation. The primary mode of operation of this tool is to perform a backup to another Synology NAS. Below is only the models that support DSM 7, so some series are automatically turned off because they do not support the same. Hyper Backup also works on older models than those listed if you use DSM 6.2.x. It should be noted that Hyper Backup also has the option of backing up iSCSI LUNs, so if you use this feature, be sure to keep that in mind. Hyper Backup running a task towards Synology C2 Backup towards C2 platform, is only feasible via Hyper Backup, or a slightly different method if you are using the new Hybrid Share feature within DSM 7. I have previously written about it and other new C2 services, but the focus will now be on backing up NAS data. If you don't happen to have another Synology device that would be suitable for backup, you can always perform the same via the Synology C2 cloud platform. From another Synology NAS, another alternative server/NAS, and even some of the many 3rd party cloud destinations. The advantage of this package is certainly that you can choose almost anything for the destination itself. This is where Hyper Backup comes into play. If your data is only on the NAS, then you need to consider how to protect that part in case something happens to the device itself. While many view the NAS as their backup, this may be true on the assumption that the data is already on another device/location. What exactly is Hyper Backup? This particular package offers you the ability to create a backup, for all your data already on the NAS. Of these four, Hyper Backup is certainly the most popular, and at the same time available on absolutely all models (unlike some below). Let's look at what all these backup tools are, how they are used and in which situations, and whether you must use them all or you can satisfy all your needs through one of them. Therefore, there are several different applications/platforms in the Synology toolkit that I will cover in this article. The NAS device can use various methods, protocols, and finally the direction of execution when it comes to backup. What is characteristic of all brands of NAS devices, including Synology, is that they have a large number of applications that fall into this category. Everyone who uses Synology NAS (or NAS in general) mostly does so out of a few basic needs. In August 1996, Spencer was cast as the lead role of Shinji Ikari in Neon Genesis Evangelion. Spencer first landed a supporting role of Prime Minister Mikoshiba in Super Atragon, then a leading role of Takateru in Suikoden Demon Century. After doing a number of independent films, he met Amanda Winn-Lee, who suggested he audition for anime English dubbing at ADV Films. Spencer attended the University of Houston for four years. His anime character voices tend to be either for timid, shy, or weak characters, or for eccentric and comical ones. He has also performed voice acting for radio, especially commercials. He is known for his roles in ADV Films dubs of Neon Genesis Evangelion as Shinji Ikari, Martian Successor Nadesico as Akito Tenkawa, and Excel Saga as Gojo Shioji. GKIDS will be releasing the original Neon Genesis Evangelion series and movies on Blu-ray later this year, though it's unconfirmed which of the show's many dub casts will be included.Charles Forrest "Spike" Spencer (born December 21, 1968) is an American voice actor and columnist best known for dubbing Japanese anime films. Khara's in-house English translator Dan Kanemitsu wrote the scripts for both the Netflix dub and the new Amazon Prime dub, so while the former source of controversy has been remedied, the latter might still be an issue.Īll four Rebuild of Evangelion movies, including the final film Evangelion 3.0+1.01: Thrice Upon A Time, will be available to stream worldwide on Amazon Prime Video on August 13. The Netflix dub, starring Casey Mongillo as Shinji, Ryan Bartley as Rei, Stephanie McKeon as Asuka and Carrie Keranen as Misato, received praise for its performances but attracted controversy both for not including the original ADV dub actors and for some controversial translation choices. This new dub, produced at Dubbing Brothers USA and directed by Joe Fria, shares no lead actors in common with Netflix's 2019 redub of the original Neon Genesis Evangelion series and the Death and Rebirth and End of Evangelion movies. RELATED: Taco Bell Anime Is An Evangelion-style Mecha vs Kaiju Battle for. Mills is now the sixth actor to play Kaworu in English, following Kyle Sturdivant in the first ADV release, Aaron Krohn in Manga Entertainment's dub of the original movies, Greg Ayres in the Director's Cut, Jerry Jewell in FUNimation's Rebuild dubs and Clifford Chapin on Netflix. New cast members for this dub include Mary Faber as Ritsuko Akagi, Deneen Melody as Mari Illustrious-Makinami, Sean Burgos as Ryoji Kaji and Daman Mills as Kaworu Nagisa. John Swasey, who took over the role of Gendo Ikari from Tristan MacAvery for the dub of the Neon Genesis Evangelion Director's Cut release and continued playing Gendo in the Funimation Rebuild dubs, is also returning. Spencer, Grant and Keith-Shipp were all in the previous dub of the Rebuild movies from Funimation, but this is Winn Lee's big return to the role of Rei after being replaced with Brina Palencia in the Funimation dubs. The four lead actors from the original Neon Genesis Evangelion TV series dub are reprising their roles: Spike Spencer as Shinji Ikari, Amanda Winn Lee as Rei Ayanami, Tiffany Grant as Asuka Langley-Shikinami (named Asuka Langley-Soyru in the original series) and Allison Keith-Shipp as Misato Katsuragi. No signon requirement, no security for contacts, notes, calendars, etc. They're often used to 'unhook' customers of a competitor, which may even be in violation of anti-trust laws (if anyone cares anymore, since monopolies seem to be permitted in the new economy).Īnother thing that I find surprisingly lacking on the iTouch is that there seems to be no security options for me, the user. Those 'killer' machines and software have been the bane of the computer business for 50 years. It may be that the iPod is just a 'killer' product designed by Apple to dominate a market without fulfilling user needs. It seems as though it has a lot of market support, so there are, for example, many bird id apps available (tho they don't really seem any better than the old Nat Geographic app I have on my old Palm T5), and there aren't any good butterfly or wildflower id apps (which is surprising). It looks like such a great machine, slim, bright, lots of apps, etc., that it's hard for a guy to go another route. The iPod Touch is a sort-of 'attractive nuisance'. Hope this helps everyone understand the iPod folder structure. iTunes is very slow now because of the bloat (iTunes Match, iTunes cloud, Ping, iTunes store etc) But you have no choice. I have a very fast computer (i7 2720QM quad core with 16 gigs of ram) and a 22,000 mp3 library. Now Apple has added way too much and it's become bloated. Anyway, iTunes was great about a year ago. So as you see in the screenshot, it's VERY specific and you can't just drag and drop mp3s onto a iPod. The mp3 files still retain their ID3 tags (name, artist, album etc) but I think the iPod database file actual controls the iPod on what it displays and also stores the play and skip counts for iTunes. Within those folders are the actual mp3s with random names like DYUX.mp3. Within that folder are folders named F01, F02, F03 and so on. If you plug in a ipod into a computer that's been recently synced with itunes and you turn on hidden folder view, you will see a folder called ipod_control. When the iPod and iTunes sync, the iPod gets some sort of database file on it to tell it where each song is. I've attached a screen shot of my 160G iPod connected to iTunes and the SPECIFIC and RANDOM folder structure it uses. They make a lot of money through that store and they will do everything they can to force you into it. I'd be willing to buy your paperweight off you for the right price.:biggrin:Įdit: It's also in Apple's interest to prevent you from bypassing ITunes, since they want you to be forced into their ITunes store. So, if you refuse to use ITunes, let me know how it goes. I basically use Itunes as a glorified middle man and nothing more. I also detest ITunes, but use it on Windows to move music on and off my Ipod while using MediaMonkey (which also couldn't write tunes to my IPOD in windows!) to actually manage my music library. I suspect that Apple has done its best to force users to use ITunes and I suspect he hated the fact that Linux users could access his Ipods without ITunes. It's said that he didn't even want employees to be able to open windows in his new mutil-billion dollar Apple compound - "people just screw things up". Nothing pissed him off more than users messing with his "works of art". Realplayer didn't see it and neither did Windows Media Player. I plugged the iPod into my wife's Vista laptop and it recognized it, installed drivers or whatever, and asked if I wanted to manage the device with RealPlayer. I've tried googling this hoping to just create the folders needed in Nautilus, but no luck there either. I tried downloading a free song from iTunes within the iPod UI hoping that would create the file structure to add songs, but no luck. Rhythmbox also says that the iPod is not initialized and fails to be able to do so. I also tried Banshee, which converted my mp3s and put them in what appears to be the top level directory of the iPod, but the iPod doesn't recognize them. That popup can't be closed and then the first message is shown again. Newly mounted iPod at '/home/uname/.gvfs/iPod touch' could not be loaded into gtkpod. In this case, gtkpod can initialize it for you.ĭo you want to create the directory structure now? If you are sure that the iPod is properly mounted at '/home/uname/.gvfs/iPod touch', it may not be initialized for use. I'm having a similar problem with a new iPod touch.Ĭould not find iPod directory structure at '/home/uname/.gvfs/iPod touch'. The exception, of course, was "Space Age Love Song." I loved that one even more than "I Ran," and to this day it serves as one of the definitive songs of the era, that chiming, heavily-reverbed riff instantly transporting me back to my teen years. It wasn't bad, mind you, but probably less exciting than other synth-dominated bands like, say, Orchestral Manoeuvres In The Dark. Yeah, "I Ran" was pretty essential at the time (and, let's face, still holds up), but most of the record was nothing special. So one day I picked up Flock of Seagulls' debut, which was already in the used bin not long after its release, presumably returned by someone who'd seen the "I Ran" video-played every 5 minutes on MTV that summer, those crazy haircuts capturing the imagination of dull American suburbia-and bought the record and realized that Flock of Seagulls wasn't exactly the sort of band they wanted to be listening to all that often. I'd also be hunting for discounted copies of newer releases, the bands you'd see on MTV or hear on the radio or at high school parties and figure you needed to check out. And while I paid full-price for a new copy of Discipline from the newly-reformed King Crimson at the mall, a few hours combing Dempster Street with a $20 bill allowed me to come home with used copies of Larks' Tongues in Aspic and Islands and Starless & Bible Black and Lizard and Red, writing off the occasional static and skip as a fair trade-off in quality for quantity.īut my journeys through the past didn't mean I wasn't also trying to keep current. Sure, I could pick up a cassette copy of ChangesOne at the mall, kicking off my eternal love of Bowie, but at the used record store I could find Aladdin Sane for $3.99. And, of course, these stores' selection was generally limited to new releases and big sellers.īut the used record stores in Evanston, about a 20-minute drive from my house, had a much broader (if eclectic and random) selection, and for just a few bucks I could pick up a lightly-scuffed slab of vinyl that was good enough to feed my constant need to grow my collection.Īt the time, I was still in classic rock (and prog) look-back mode, and a lot of my purchases were aimed at filling the gaps in my musical knowledge. With little cash on hand, most of my music exploration up 'til this point had been limited to the local public library's record collection I could only afford occasional record purchases at the chain stores at the mall or the nearby shopping center (both within biking distance). Which meant on weekends I could borrow my mom's car and drive into Evanston, near Northwestern University, and hit all the used record stores that lined Dempster Street. Mainly because I turned 16 and got my driver's license. 1982 was a pretty big year in my musical development. Meanwhile, The Falcon and the Winter Soldier is streaming exclusively on Disney+. Captain America: New World Order has been officially confirmed. Indiana Jones and the Dial of Destiny is released in UK cinemas on June 28 and in US cinemas on June 30. Ford takes over the role of General Thaddeus 'Thunderbolt' Ross following William Hurt's death. But I’m very happy with the film that we have,” he added. Harrison Ford Sets Marvel Debut with ‘Captain America: New World Order’ Opposite Anthony Mackie. The shooting of it was tough and long and arduous. It’s full of adventure, full of laughs, full of real emotion. Harrison Ford being cast as Thaddeus 'Thunderbolt' Ross in the MCU for Captain America: New World Order hints at a massive future for the character, leaving many wondering why, given his scarce MCU history. The legendary actor will step in as Thaddeus Thunderbolt Ross, replacing the late William Hurt, for 2024’s Captain America. “It became really important to me to figure out how to make this a movie about a hero at sunset. Harrison Ford is stepping into the Marvel Cinematic Universe. Marvels Thunderbolts, the movie currently pegged to conclude MCU Phase 5, may just be when General Thaddeus 'Thunderbolt' Ross finally becomes the Red Hulk in the MCU. “f a script came along that I felt gave me a way to extend the character. The MCU has yet to make General Thaddeus 'Thunderbolt' Ross into Red Hulk, but Harrison Ford in Captain America 4 or Thunderbolts can make it happen. “I just thought it would be nice to see one where Indiana Jones was at the end of his journey,” he said of playing the character one last time. Related: Indiana Jones 5's first reviews have arrivedīefore Ford assumes the role of the Avengers’ adversary, he will make his final appearance as famed adventurer Indiana Jones in The Dial of Destiny, which will be released later this month. Telstra does limit access to the NBN 100 plan to customers with a FTTP or HFC connection to ensure delivery of NBN 100 speeds. On NBN 25 is the ‘Core’ plan, ‘Unlimited’ is on NBN 50 and Premium is the NBN 100 offering. Telstra has a fairly simple approach to NBN plans, with three plans on offer on a month-to-month basis. These are products with links to a referral partner. Use our comparison tool to see plans from a wider range of providers. The below table features a selection of Internode NBN plans across different speed tiers from Canstar Blue’s database, listed in order of cost from lowest to highest. Internode also offers an optional modem, which is free when you stay connected for 24 months. Plans start at $69.99 per month for unlimited data and no lock-in contract, and customers can add on an optional Fetch TV bundle from $0 per month (plus a $59.99 setup fee). Internode offers the full suite of NBN speeds, from basic NBN 25 to ultra-fast NBN 1000 where available. The below table features a selection of Aussie Broadband NBN plans across different speed tiers from Canstar Blue’s database, listed in order of cost from lowest to highest. Aussie Broadband also offers ultra-fast NBN 250 and NBN 1000 plans to eligible customers, as well as a midway NBN 75 option. If you really want to customise your plan, you can build your own by selecting your NBN speed tier (with a wider selection of speeds when you build your own), along with your choice of data inclusion and any other extras you want added on. Plans start at $59 per month for basic NBN, and go up to $99 for NBN 100 without entertainment and all with unlimited data. Aussie Broadband NBN SpeedsĪussie Broadband offers four standard speed tiers - Basic (NBN 12), Casual (NBN 25), Everyday (NBN 50) and Family (NBN 100/20). The below table features a selection of TPG NBN plans across different speed tiers from Canstar Blue’s database, listed in order of cost from lowest to highest. Unlimited data starts at around $65 a month, while the top speed tier with unlimited data starts at just under $90 a month. TPG simplifies the description, labelling the plans by speed tiers, NBN 12, NBN 25, NBN 50 and NBN 100, respectively. TPG has quite a large array of NBN plans across four speed tiers – Basic, Standard, Standard Plus and Premium, alongside ultra-fast plans for eligible customers. Below are a few providers and what terms they use to describe their NBN speeds. Expect ‘clever’ marketing language like ‘Turbo’ or ‘Supercharged’, for example. The way telcos describe their NBN speed tiers is sometimes different to how they are described at the wholesale level. It’s all well and good knowing what the NBN speed tiers are called at a wholesale level, but what do the NBN providers actually call their speed tiers? And how are you supposed to know which is best for you? For simple ADSL, the fastest you can expect to achieve is 8Mbps. If you’re still connected to ADSL, the fastest speed you can hope you achieve is 24Mbps, and that’s for ADSL2+. Tier 6 – Ultrafast – Maximum download speed of 1000MbpsĪway from the NBN is good old ADSL.Tier 5 – Superfast – Maximum download speed of 250Mbps.Tier 4 – Premium – Maximum download speed of 100Mbps.Tier 3 – Standard Plus – Maximum download speed of 50Mbps.Tier 2 – Standard – Maximum download speed of 25Mbps.Tier 1 – Basic – Maximum download speed of 12Mbps.Below is a short brief on what the company responsible for rolling out the NBN – creatively named NBN Co – calls the speeds. You’ll probably know that there are six NBN speed ‘tiers’ available. 3 Free Awesome Tools To Optimize Your Dual Monitor Setup Windows Final. Release notes were unavailable when this listing was updated.Ĭompatibility: OS X 10. After you download and install CleanMyMac X, this is how you use the Malware. When your Mac’s memory is filled up, it will clear inactive RAM and make your Mac run faste What’s New: It can work in the background and monitor the memory usage by apps. Keep your devices junk-free and running like new. Stay safe from viruses, ransomware, phishing, and hackers with our award-winning antivirus. Go beyond the essentials with advanced security. Can MacCleaner Pro help me?ĭespite freeing the disk space, MacCleaner Pro thinks about your RAM memory as well. Stop snoops from seeing your IP Address and online activities with Avast SecureLine VPN. You should use them to always keep your Mac running properly, and thus prolong its’ life. 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MacCleaner Pro provides a set of cleanup apps for that, which we call "must haves" for every self-respecting Mac owner. Speed up a slow Mac, free up disk space, remove junk files, prevent the "Startup Disk Full" error. Free Download MacCleaner 3 Pro 3.2.4 | Multilingual Free Download | macOS | 127 mbĬlean up your Mac and optimize its performance. The first full-frame Z series mirrorless camera to be equipped with a vari-angle monitor.Adoption of the EXPEED 7 image-processing engine reduces noise in flat portions of subjects and increases image quality.Options available for custom wide-area AF mode have been increased, improving effectiveness for scenes with multiple subjects.The range of coverage and number of focus points used in auto-area AF mode have been increased for better focus acquisition performance with distant or moving subjects.Pixels used to create images and those used for AF achieve the optimal exposure for each process, making it easier to focus on the intended subject, even when that subject is silhouetted against backlighting or the scene is dimly lit or dark.(photo mode only) and (video mode only) have been added to AF-area mode options.When this mode is selected, the user selects the shutter speed, and the camera adjusts the aperture. The first Nikon camera to support video recording in shutter-priority auto mode. *5Not effective when a NIKKOR Z lens with built-in VR is used, AF-area mode is set to and multiple focus points are displayed, or video recording is in progress.*4Among mirrorless cameras available as of September 20, 2023.*3When electronic VR is enabled, the angle of view is equivalent to that of a lens with a focal length approximately 1.25x that of the lens being used.
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